Justin Baldoni Sues Blake Lively and Ryan Reynolds for $400M Over ‘It Ends With Us’ Controversy
Actor and director Justin Baldoni has filed a lawsuit against his co-star Blake Lively and her husband, actor Ryan Reynolds, seeking $400 million in damages for defamation and extortion. The lawsuit, filed in federal court in New York on Thursday, is the latest escalation in a bitter legal dispute surrounding the production of the dark romantic drama It Ends With Us.
The Allegations in Baldoni’s Lawsuit
The suit, filed by Baldoni and production company Wayfarer Studios, claims that Lively and Reynolds hijacked the production and marketing of the film, making false allegations of sexual harassment and misconduct to smear Baldoni and others involved in the movie. The lawsuit describes their actions as an abuse of power by two of the most influential stars in Hollywood, accusing them of “stealing an entire film” from the director and production team.
“This is a case about two of the most powerful stars in the world deploying their enormous power to steal an entire film right out of the hands of its director and production studio,” the suit reads.
Baldoni’s legal team argues that after failing to receive the acclaim they expected, Lively and Reynolds targeted Baldoni, labeling him as the scapegoat for their frustrations.
The Backdrop: Lively’s Own Lawsuit
This lawsuit follows Lively’s own legal action against Baldoni and several others connected to It Ends With Us, which she filed two weeks ago. In her lawsuit, Lively accuses Baldoni and others of retaliating against her after she came forward about her mistreatment on set. This came on the heels of Baldoni’s libel suit against the New York Times, alleging the newspaper collaborated with Lively to defame him.
As of now, neither Lively nor Reynolds has responded publicly to the lawsuit. A request for comment sent to their publicist, Leslie Sloane, has gone unanswered.
The Controversy Surrounding the Film
It Ends With Us, based on Colleen Hoover’s bestselling novel, was released in August and exceeded box office expectations with a $50 million debut. The film begins as a romantic drama but takes a dark turn into themes of domestic violence, raising awareness about abuse while sparking intense conversations about the treatment of female actors on film sets.
Baldoni, who envisioned the film as a tribute to survivors of domestic violence, has expressed how Lively’s actions have overshadowed the movie’s message, diverting the focus away from the film’s positive impact.
The lawsuit further claims that Lively’s allegations of sexual harassment are completely false. Baldoni’s team highlights instances where Lively made accusations regarding her treatment on set, including moments that Baldoni insists were completely misinterpreted. For example, Baldoni claims that Lively, who was comfortable with him, breastfed in front of him during meetings without incident. The suit argues that these interactions, later reinterpreted as harassment, were never inappropriate.
A Clash Over Intimacy and Professional Boundaries
The lawsuit also addresses Lively’s claims about a birthing scene in the film, where she alleged that she was “mostly nude” and that inappropriate individuals were present on set. Baldoni’s suit contends that Lively’s depiction of these events was false, stating that Lively wore appropriate attire and that every request for an intimacy coordinator was fulfilled.
In another instance, Baldoni claims that, due to his back problems, he asked Lively her weight to safely work with his personal trainer for a scene. He alleges that Reynolds later confronted him, accusing him of fat-shaming Lively. Baldoni maintains that his request was made out of concern for Lively’s safety, and that he was trying to reassure her about her postpartum body image.
Tension Between the Stars and the Impact on the Film’s Promotion
Throughout the controversy, Baldoni’s role in promoting the film was minimized, while Lively and Reynolds dominated the press circuit. Baldoni claims that Lively’s actions further hurt the film’s reception, including naming a drink at the post-premiere party after her character’s abusive partner, “Ryle You Wait.” This choice, according to Baldoni, was tone-deaf and insensitive.
In addition to the public fallout, Baldoni’s agency, WME, dropped him from their roster, allegedly due to pressure from Reynolds. The suit suggests that Reynolds expressed disdain for Baldoni at the Deadpool & Wolverine premiere, labeling him a “sexual predator.”
Personal and Professional Attacks
The lawsuit also details how Lively’s legal actions extended into Baldoni’s personal life, including the serving of legal papers during a time when Baldoni was dealing with wildfires in Los Angeles. According to the lawsuit, Lively, from the safety of her New York penthouse, deployed process servers during a time when Baldoni was preparing for evacuation with his family.
Baldoni’s attorney, Bryan Freedman, has vowed that Lively will “regret” her actions and that she will no longer be able to “exploit actual victims of real harassment for personal reputation gain.”
Looking Ahead
As the legal battle continues, the focus on It Ends With Us has shifted from its message of support for domestic violence survivors to a public dispute that threatens to overshadow its achievements. Baldoni’s lawsuit is a dramatic escalation in a story filled with emotional turmoil, legal maneuvering, and intense professional conflict.
As the case unfolds, Hollywood watches closely, with implications not just for the individuals involved, but for the broader conversation about power dynamics, harassment, and retaliation within the industry.
