20 Songs That Instantly Reveal If Your Headphones Have Midrange Problems

These tracks expose the muddy truth hiding in your gear

You might think your headphones sound great—but are they really telling the truth? If vocals seem muffled, instruments blur together, or you feel like you’re missing the “soul” of the music, your headphones might be failing the all-important midrange test.

The midrange (roughly 250Hz to 2kHz) is where most of the musical magic happens—vocals, guitars, pianos, strings, and key elements of a mix live here. And when this range is off, even the best tracks lose their spark.

Here are 20 songs that act like sonic microscopes—instantly revealing whether your headphones can handle the mids or if they’re just faking it.

1. Queen – Bohemian Rhapsody

Freddie Mercury’s layered vocals in the operatic section (around 2:40) are a brutal test. You should hear distinct harmonies, not a sonic smear. If “Galileo” sounds like a muddy chant, your headphones are guilty.

2. Fleetwood Mac – The Chain

Most people focus on the iconic bass drop, but the real test lies in the choruses. Can you tell Lindsey and Stevie’s voices apart? If guitars blur and vocals flatten out, your headphones are struggling.

3. Pink Floyd – Shine On You Crazy Diamond

This spacious track demands clarity. From Gilmour’s floating guitar tones to the layered keyboards, a good pair of headphones keeps everything separate and ethereal—not congested and claustrophobic.

4. Tool – Forty Six & 2

The interplay between bass and guitar sits smack in the midrange. During the bridge (around 3:30), listen for separation. If it turns into fuzzy chaos, your headphones are failing.

5. Radiohead – Paranoid Android

Abrupt shifts from calm to chaos expose weaknesses fast. Thom Yorke’s voice should remain distinct even when the guitars go wild. If it gets swallowed, blame your cans.

6. Muse – Hysteria

Chris Wolstenholme’s aggressive bass and crunchy guitars battle for space with Bellamy’s vocals. If they all clash in a noisy mess, your mids are muddy.

7. The Beatles – A Day in the Life

This track swings from sparse vocals to orchestral explosions. You should be able to pick out individual instruments in the chaos—and still feel Lennon’s dreamy presence.

8. Led Zeppelin – Stairway to Heaven

From delicate finger-picked guitars to a full-on rock crescendo, this song spans the whole midrange spectrum. Can you hear the recorder melodies clearly at the start? Do things stay clear when it all kicks in?

9. Led Zeppelin – When the Levee Breaks

Massive drum echo meets gritty harmonica and bluesy vocals. Good headphones preserve the atmosphere and the detail. If it all collapses into boomy fog, you’ve got a problem.

10. Dire Straits – Brothers in Arms

Mark Knopfler’s voice should feel like he’s singing directly to you. If his baritone sounds distant and the guitar solo lacks warmth and space, your midrange is veiled.

11. Björk – Bachelorette

Björk’s emotional delivery, combined with lush orchestration and electronic elements, pushes midrange performance to the limit. If her vibrato and sharp enunciation get lost, so does the song’s impact.

12. Michael Jackson – Billie Jean

It’s all about subtlety here. MJ’s breaths, vocal hiccups, and that ticking funk guitar are rich in midrange detail. Can you hear the offbeat strumming clearly? If not, your gear is smoothing over the sparkle.

13. Stevie Wonder – Superstition

The clavinet riff lives in the midrange and should sound punchy and percussive. When the horns and vocals join in, each should have space to shine. If the groove turns muddy, your headphones are getting overwhelmed.

14. The Carpenters – Superstar

Karen Carpenter’s vocals are a gold standard for midrange reproduction. Her lower register should sound full and intimate. If it feels thin or blends with the background, your gear is missing the magic.

15. Adele – Someone Like You (Live at the Royal Albert Hall)

Just voice and piano—what could go wrong? Plenty, if your headphones can’t preserve Adele’s dynamic vocals and the subtle room acoustics. Every breath and vocal inflection should feel real.

16. Beyoncé ft. Kendrick Lamar – Freedom

This track is raw power. Beyoncé’s belted vocals and Kendrick’s intricate verses are both midrange monsters. Can you hear each background singer during the chorus? Do Kendrick’s words stay clear under the beat?

17. Norah Jones – Don’t Know Why

Smooth, breathy vocals with jazzy piano chords make this track a midrange litmus test. Norah’s voice should feel intimate and present, not buried in a soft haze.

18. Tracy Chapman – Fast Car

Chapman’s voice and acoustic guitar sit right in the midrange. If her emotional delivery doesn’t cut through or the guitar loses its texture, your headphones are blurring the soul of the song.

19. Daft Punk – Something About Us

A downtempo electronic ballad with lush midrange textures. The robotized vocals, bassline, and subtle keys should each remain distinct. If it all smears together, your headphones are smoothing over critical detail.

20. Hans Zimmer – Time (from Inception)

This piece builds slowly with layers of piano, strings, and subtle electronic effects. It’s a masterclass in midrange orchestration. Can your headphones keep every layer distinct? Or does it collapse into cinematic mush?

Why Midrange Matters

Highs and lows get the spotlight, but the midrange is where emotion lives. It’s the storyteller in your music—the place where intimacy, grit, and humanity reside. And if your headphones can’t deliver that, they’re not delivering music. Just sound.

So, fire up these tracks and listen closely. If they don’t sound right, it might be time to upgrade your gear—or at least, finally admit your headphones have been lying to you.