Teen Behind Louvre “Fedora Man” Photo Becomes Global Sensation

Pedro Elias Garzon Delvaux: The Teen Who Became the Louvre’s Viral “Fedora Man”

A single photograph of a sharply dressed teenager outside the Louvre following a daylight heist of French crown jewels turned 15-year-old Pedro Elias Garzon Delvaux into an international sensation. The image, shared widely across social media and news outlets, sparked a wave of speculation, with internet users dubbing him “Fedora Man” and imagining him as everything from a vintage detective to an AI-generated figure.

Pedro, who lives with his parents and grandfather in Rambouillet, west of Paris, initially chose to remain silent, enjoying the unfolding mystery and the global fascination it inspired.

From Private Teen to Internet Phenomenon

When AP photographer Thibault Camus captured Pedro in midstride beside a police cordon at the Louvre, the boy was unaware of both the photo and the jewelry heist. “We wanted to go to the Louvre, but it was closed,” Pedro explained. “We didn’t know there was a heist.” His mother and grandfather were with him, and they had simply inquired about the closed gates when the photograph was taken.

Within days, the image had amassed millions of views. Friends, relatives, and even distant acquaintances from Colombia and Austria contacted Pedro to confirm his identity. “People said, ‘You’ve become a star,’” he recalled. “I was astonished that just with one photo you can become viral in a few days.”

An Inspired Sense of Style

Pedro’s signature look—a fedora hat, three-piece waistcoat, neat tie, and classic trousers—is not a costume for the Louvre. Inspired by mid-20th-century history, black-and-white imagery, and fictional detectives like Hercule Poirot, Pedro has embraced this style in everyday life, including at school.

“I like to be chic,” he said. “I go to school like this.” The fedora, worn for special occasions, museum visits, and weekends, is a nod to French Resistance hero Jean Moulin. Pedro’s mother, Félicité Garzon Delvaux, a former museum curator’s daughter, encouraged his appreciation for historical style and art. “Art and museums are living spaces,” she said. “Life without art is not life.”

Pedro’s distinctive fashion has begun to influence his peers, with classmates adopting elements of his vintage-inspired look. The combination of style and circumstance contributed to the mystique that enveloped the viral photo.

The Power of an Image

The photograph itself tells a cinematic story: Pedro strides past police leaning on a car outside the Louvre, dressed in formal attire, as if a scene from film noir had intersected with modern-day Paris. The visual contrast of a 1940s-inspired outfit against a 2025 backdrop fueled the internet’s imagination.

Pedro recognized this almost immediately. “In the photo, I’m dressed more in the 1940s, and we are in 2025,” he said. “There is a contrast.” He waited several days before revealing his identity, switching his Instagram from private to public and allowing the world to connect with the real person behind the myth.

Balancing Fame and Normalcy

Despite sudden international attention, Pedro remains grounded. He enjoys observing how images can shape perception and appreciates the narrative power of a photograph. “I didn’t want to say immediately it was me,” he said. “With this photo there is a mystery, so you have to make it last.”

He approaches the unexpected fame with humor and curiosity, open to the possibility of media or film opportunities, but maintaining the everyday rhythm of school and family life. “I’m waiting for people to contact me for films,” he said, smiling. “That would be very funny.”

A Teenager Reflecting on Style and Mystery

Pedro’s story highlights how history, style, and chance can intersect to capture public imagination. In a moment dominated by theft and security concerns, “Fedora Man” offers a lighter, human dimension: a teenager who embraces artistry, elegance, and mystery as part of ordinary life.

“I’m a star,” he said lightly. “I’ll keep dressing like this. It’s my style.” For Pedro, the photograph is not only a fleeting internet phenomenon but a lasting affirmation of self-expression, historical curiosity, and the quiet thrill of being part of a global story.