Apple TV’s “Palm Royale” returns with Season 2, blending high-style 1960s- and 1970s-inspired fashion with comedic storytelling. Emmy-winning costume designer Alix Friedberg coordinated vintage and custom-made pieces to reflect character growth, social status, and feminist themes.

Crafting Characters Through Clothing

Vintage Designs and Modern Storytelling

The series follows Kristen Wiig’s character, Maxine, navigating Palm Beach high society in 1969. From the opening scene, Wiig wears a yellow fringed hat, gold platform sandals, and bell-bottom pants adorned with fabric petals, signaling the centrality of costume to storytelling.

Season 2 features a mix of original vintage designer garments and newly constructed outfits. Friedberg says roughly half of the season’s brightly colored, graphic prints were sourced from designer archives, supporting the characters’ jet-setting personas.

Kaia Gerber, portraying Mitzi, called the iconic costumes emotionally impactful. “Sometimes Kristen will walk in wearing something, and it brings tears to my eyes,” Gerber told the Associated Press.

The Creative Process Behind the Costumes

Sourcing and Building Iconic Looks

Friedberg’s team works beyond shopping, constructing duplicates when necessary to maintain continuity during multiple scene appearances or dance numbers. The team sourced vintage pieces in exceptional condition, including Oscar de la Renta, Bill Blass, Oleg Cassini, and Halston.

Allison Janney praised Friedberg’s work as “brilliant,” noting that the hair, makeup, and costumes combine to create fully realized characters. Iconic après-ski looks, particularly for Swiss Alps scenes, were among her favorites, though she admitted choosing a single favorite was difficult.

Humor Through Wardrobe

Costumes as Comedic Devices

Costume choices also accentuate comedic moments. Friedberg highlighted Evelyn’s deadpan delivery paired with extravagant outfits, including sequences requiring multiple wigs, generating humor through visual absurdity.

Carol Burnett described costume fittings as integral to shaping her character, Norma, the scheming socialite. The signature turban emerged as a practical solution that evolved into a defining element of her look, guiding the design of dresses and accessories around it.

Fashion as Feminist Expression

Empowerment Through Style

Season 2 emphasizes female empowerment through wardrobe choices. Pantsuits and tailored ensembles reflect autonomy and social progress. Leslie Bibb’s character, Dinah, transitions from trophy wife to independent figure, inspired by icons like Sharon Stone in “Casino.” The shift into pantsuits signals her evolving identity and agency.

Costume design also illustrates male characters’ reliance on women for style. Josh Lucas’s character, Douglas, appears increasingly disheveled this season, wearing only worn Hawaiian shirts as a visual representation of diminished personal control.

Symbolism and Character Arcs

Visual Storytelling Through Clothing

Gerber’s character, Mitzi, undergoes a transformation in Season 2, with costumes reflecting newfound wealth and self-assertion. Friedberg described Maxine’s Oscar de la Renta dress as a statement piece: a visual cue of her arrival and social ascension without dialogue.

Each wardrobe choice reinforces character motivations and narrative themes, merging humor, style, and empowerment. Costume design in “Palm Royale” demonstrates how fashion can serve both aesthetic and narrative functions, providing audiences with a richer, multi-layered viewing experience.

Source: AP News – How the funny and feminist fashion in ‘Palm Royale’ further the storytelling

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Chanel’s Paris Fashion Week show on Tuesday was a showcase of elegance, but it was South African singer Tyla who stole the spotlight. Arriving at the Grand Palais in a stunning hot pink tweed mini skirt, a strapless bustier top, and a matching jacket, Tyla’s look was nothing short of a modern Barbie fantasy. She paired the ensemble with a striking Y-shaped necklace spelling out “Chanel” both horizontally and vertically, making a bold fashion statement.

A Nostalgic Nod to Chanel’s Golden Era

While many attendees, including musician Raye and actor Simone Ashley, opted for Chanel’s signature bouclé skirt suits, Tyla’s vibrant fuchsia outfit channeled the brand’s 90s heyday. From the monogrammed gold “CC” buttons to the delicate chain hem detailing on her top, every element of her ensemble exuded classic “Chanelisms.”

The look drew strong parallels to Naomi Campbell’s tweed dress from Chanel’s Spring-Summer 1994 collection. “I wanted to feel like a classic rich Chanel girl,” Tyla told Vogue, perfectly encapsulating the brand’s enduring allure.

Chanel’s Runway Reinvention

On the runway, Chanel continued to reimagine its iconic tweed skirt suit. This season, the house introduced fresh variations featuring bursts of tulle, floor-length hemlines, and off-the-shoulder necklines, modernizing the timeless silhouette for a new generation.

Tyla’s outfit balanced playfulness with elegance, offering a chic alternative to the “officecore” aesthetic dominating Paris Fashion Week. While Stella McCartney presented her collection in an office-inspired setting, complete with desks and stationery, and Balenciaga showcased deconstructed suits, Tyla’s ensemble proved that structured tailoring can be both bold and feminine.

The Skirt Suit Comeback: A Modern Take on Classic Tailoring

For those hesitant to embrace full corporate attire, the statement skirt suit is a stylish compromise. Tyla’s Chanel look is part of a growing trend among celebrities redefining this wardrobe staple:

• Amanda Seyfried sported a canary yellow skirt suit in New York on Monday, adding an edge with blackout shades and knee-high leather boots.
• Millie Bobby Brown turned heads in a Dalmatian print Versace two-piece on the “Today” show, accessorized with a chic black beret and her freshly bleached blonde locks.

Tyla’s Final Touch: Vintage Glam with a Modern Twist

Rounding off her look, Tyla accessorized with a sleek black mini bag and a sharp, spiky cropped hairstyle. While Gabrielle ‘Coco’ Chanel is celebrated for pioneering women’s trousers, her legacy in redefining the skirt suit remains one of fashion’s most enduring contributions.

With Tyla’s stunning revival of the classic Chanel skirt suit, it’s clear that this timeless ensemble is making a powerful comeback—blending nostalgia with contemporary fashion in the most stylish way possible.

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When celebrities step onto a red carpet, their outfits are often as famous as they are, capturing the attention of millions and making a statement in the world of fashion. From Zendaya’s old Hollywood-inspired saffron Louis Vuitton gown at the Golden Globes to Angelina Jolie’s dazzling crystal McQueen dress, these outfits become immortalized by flashing cameras. But what happens to them after the event ends? Where do these iconic outfits go once they’ve been photographed and shared across social media?

The Afterlife of Red Carpet Outfits

After the glamour of the red carpet fades, the fate of the outfits can vary. Some are carefully stored in specialized archives, others are displayed in exhibitions, and some even find their way onto the open market for auction. Occasionally, certain outfits don’t even survive the event itself.

Fashion houses, who often own the dresses they design, are typically responsible for determining what happens to the outfits. Celebrities themselves sometimes decide to keep the dresses, with stars like Kim Kardashian and Zendaya acquiring the gowns they wear at major events.

The Rise of Red Carpet Dressing

Over the past two decades, the significance of red-carpet outfits has dramatically increased. Lucy Bishop, a fashion expert at auction house Sotheby’s, points to the 1997 Oscars when Nicole Kidman wore a Dior chartreuse gown by John Galliano. This marked the beginning of a trend where high-profile fashion houses began partnering more directly with celebrities to dress them for red carpet events.

“With the involvement of stylists and designers, the production of these looks has become a carefully planned and highly organized affair,” said Bishop. The high level of collaboration has led to more effort in preserving the outfits post-event.

What Happens to the Gowns Afterward?

The immediate aftermath of a red carpet event is a cleaning process, where the outfit is cleaned of body lotions, oils, perfumes, and makeup stains that could degrade the fabric over time. Sarah Scaturro, Chief Conservator at the Cleveland Museum of Art, notes that these materials can oxidize, affecting the fabric’s color and texture. Typically, the cleaning involves dry cleaning, although more delicate fabrics may require specialized treatments.

Once cleaned, the outfits are usually stored in specialized facilities. Fashion houses, private collectors, and institutions like The Wardrobe, an archiving and storage studio, maintain and preserve these pieces for years. These storage spaces are temperature-controlled, with low lighting and high humidity control to prevent deterioration.

Red Carpet Gowns as Artifacts

In recent years, many of these garments have been treated as pieces of art, featured in exhibitions rather than simply being worn again. The “Crown to Couture” exhibition at Kensington Palace, for example, displayed iconic red carpet looks, including the tulle Oscar de la Renta dress Billie Eilish wore to the 2021 Met Gala and the “Sun God” outfit worn by Billy Porter at the 2019 Met Gala.

Transporting these outfits for exhibitions is an intricate process. Julie Ann Clauss, founder of The Wardrobe, recalled the challenge of preparing delicate items like beaded gowns for international travel. “We need custom mounts and sometimes even crates as big as seven feet tall to ensure stability during transport,” Clauss said.

The Journey to Auction or Sale

Before red carpet outfits became highly curated by fashion houses, it was more common for celebrities to keep their gowns. Some even gave them away or sold them. One famous example is Elizabeth Taylor, who gave away the Dior gown she wore to collect her Oscar. It was later rediscovered packed away in a suitcase and eventually fetched $200,000 at an auction.

While many red carpet outfits end up in archives, some make unexpected journeys to the auction block. After the 2019 Golden Globes, Lady Gaga’s periwinkle Valentino gown was reportedly left behind in her hotel room, later found by a housekeeper. Though the gown spent months in the hotel’s lost-and-found before being offered at auction, it’s unclear whether the sale ever took place.

The Legacy of Red Carpet Fashion

As red carpet fashion continues to evolve, so does the treatment of the outfits worn by celebrities. Whether stored as archival pieces, featured in exhibitions, or occasionally sold at auction, these gowns are more than just clothing—they are symbols of creativity, craftsmanship, and the impact of fashion on pop culture.

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