It started with a shadow on the sand.
Back in December 2024, Jonathan Anderson posted a moody Instagram snap of his silhouette against a dusky beach, simply captioned: “sunset.”

Was it just a vacation photo — or a quiet hint of something bigger on the horizon?

Fast forward to June 2, and the fashion world has its answer. Anderson, one of the industry’s most admired creative forces, has officially been named the new creative director of Dior. He’ll be overseeing it all — womenswear, menswear, and haute couture — marking a bold new era for the French fashion powerhouse.

“It is a great honor,” Anderson said in a statement. “I have always been inspired by the rich history of this House, its depth, and empathy. I look forward to working alongside its legendary Ateliers to craft the next chapter of this incredible story.”

Dior’s New Era — and Why It Matters

The appointment comes at a time of major transition for Dior. Maria Grazia Chiuri, who led womenswear for nine years, stepped down in May. Kim Jones exited Dior Men back in January after a seven-year run. Anderson now takes over both roles — a move that consolidates Dior’s creative direction under a single, visionary leader.

His arrival also couldn’t be more timely. LVMH, Dior’s parent company and the world’s largest luxury group (valued at a staggering $270 billion), has been quietly looking for fresh momentum at Dior — a brand investment analysts have called its “problem child.” In a sector battling sluggish growth, many see Anderson’s distinctive style as the creative jolt Dior needs.

“Jonathan Anderson is one of the greatest creative talents of his generation,” said LVMH chairman Bernard Arnault. “His incomparable artistic signature will be a crucial asset in writing the next chapter of the history of the House of Dior.”

Delphine Arnault, CEO of Christian Dior Couture, echoed the sentiment, calling Anderson’s vision “creative and modern” and promising full support from Dior’s iconic Ateliers.

From Loewe to the Limelight

At 40, Anderson is no stranger to the spotlight. The Northern Irish designer rose to prominence as the creative director of Loewe, the LVMH-owned Spanish label, where he spent more than a decade transforming it into one of fashion’s most talked-about brands.

Under Anderson’s leadership, Loewe was never just about clothes — it became a cultural moment. He charmed the fashion elite and celebrities alike with his playful, often surreal designs: pigeon-shaped clutches, egg-heel stilettos, and handbags modeled after tomatoes and nail polish bottles.

He also made Loewe a broader creative hub. His Loewe Craft Prize spotlighted global artisans. His ad campaigns — like the one featuring Daniel Craig in a cardigan or Dame Maggie Smith in a voluminous coat — broke the internet. Most recently, he designed costumes for Luca Guadagnino’s films Queer and Challengers, further cementing his status as a designer who thinks far beyond the runway.

A Generation Defining the Future of Fashion

Anderson’s Dior debut is part of a wider shake-up in the luxury world. In the past few months alone, Kering tapped Pierpaolo Piccioli (formerly of Valentino) to lead Balenciaga, while Demna moved on to steer Gucci. Overhauls are also underway at Chanel, Versace, Bottega Veneta, and Celine.

This new wave of leadership — designers with global influence, multidisciplinary instincts, and a feel for what’s next — is setting the tone for what luxury fashion will look like in the years ahead. And Anderson, with his blend of wit, intellect, and artistic curiosity, seems well-positioned to lead the charge at Dior.

Steal Like an Artist

Known for his thoughtful approach to design and culture, Anderson once told graduating students at the University for the Creative Arts:

“Authenticity is invaluable; originality is non-existent. Steal, adapt, borrow… It doesn’t matter where you take things from. It’s where you take them to.”

The quote, a mash-up of inspirations from Pablo Picasso, Jean-Luc Godard, and Jim Jarmusch, speaks to Anderson’s ethos: draw from everywhere, but create something only you could make.

That mindset — informed by art, film, history, and even dreams — now finds a new home at Dior. And if his track record is any indication, Anderson isn’t just taking over the brand. He’s ready to reinvent it.

Source: CNN – Fashion’s worst-kept secret is out: Dior announces its new creative director

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Coachella 2025 wasn’t just about the music—it was a runway of bold, boundary-pushing fashion. Celebrities turned the desert into their personal catwalks, showcasing styles that ranged from futuristic glam to nostalgic Y2K vibes. Here’s a roundup of the standout looks that had everyone talking.

Lady Gaga’s headlining set was a visual feast. She resurrected her signature gothic glam, donning lace, feathers, and dramatic capes. Among her ensemble highlights was a lace white crown reminiscent of her “Bad Romance” music video, adding a nostalgic touch to her performance.

Charli XCX embraced laid-back festival chic, pairing a graphic tee with distressed denim and chunky boots. Her off-stage look was a masterclass in casual cool, proving that comfort and style can go hand in hand.

South African singer Tyla made her Coachella debut in a vintage Y2K-inspired ensemble. She paired a cropped halter top with a micro mini skirt, channeling early 2000s fashion with a contemporary flair.

GloRilla took sparkle to new heights with a rhinestone-encrusted bodysuit and over-the-knee boots. Her look was a dazzling display of glamour, ensuring all eyes were on her during her performance.

Jennie of Blackpink stunned in a tech-forward LED ensemble during her solo performance. The ethereal glow of her outfit illuminated the stage, merging fashion with futuristic technology.

Clairo’s minimalist approach stood out with a white button-down over knee-length biker shorts and knee-high boots. Her look was accessorized with black nail polish and silver statement earrings, exuding a subtle yet impactful rocker vibe.

Argentine artist Ca7riel embraced maximalism with a Texas-sized belt buckle featuring dragon embossing and square-framed glasses reminiscent of ’80s icons. His ensemble was a playful nod to bold accessorizing.

Marina brought back the balloon skirt trend from the early 2000s, pairing it with ballerina heels and a pink plaid top. Her look was a nostalgic nod to past fashion eras, reimagined for the modern stage.

Joe Keery, performing as Djo, sported an early-aughts inspired ensemble with wrap-around blackout glasses and a Casablanca graphic tee. His look was a seamless blend of retro aesthetics and contemporary style.

Coachella 2025 proved that fashion is as much a part of the festival experience as the music itself. From gothic glamour to Y2K nostalgia, celebrities showcased styles that were as diverse and dynamic as the performances on stage. Whether embracing bold accessories or minimalist chic, these looks set the tone for festival fashion in the years to come.

Source: CNN – Coachella 2025: Stand-out celebrity looks on and off the stage

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A Season of Bold Choices

Milan Fashion Week Fall-Winter 2025 was a testament to the evolving nature of fashion—where some brands played it safe, others embraced risk with open arms. Amid economic uncertainty, shifting consumer tastes, and a rapid turnover of CEOs and creative directors, designers faced a crucial question: To take a risk, or not?

Many of the biggest names in fashion chose the daring path, redefining their creative codes and breaking conventions in unexpected ways.

Rewriting the Rules of Femininity

At Prada, co-creative directors Miuccia Prada and Raf Simons embraced a raw, deconstructed aesthetic that abandoned the brand’s signature conceptual polish. Their vision? “Liberating traditional ideals of femininity.“ Backstage, Simons put it simply:
“Liberation comes with risk-taking — you cannot liberate if you don’t take risks.”

At Versace, Donatella Versace dug deep into the brand’s archives, reviving the Medusa, Barocco, and Greca motifs in extravagant 3D-printed and padded puffball silhouettes. Though she skipped the usual press conference, her message in the show notes was clear:
“Be yourself. Believe in yourself. Break the rules.“

(Speculation about a possible sale of Versace to the Prada Group loomed over the show, but no official comments were made.)

Meanwhile, at Tod’s, creative director Matteo Tamburini envisioned a woman of “authentic elegance and charisma that follows no rules.”

Even Giorgio Armani leaned into the theme of unpredictability at Emporio Armani, incorporating playing card motifs as prints, brooches, and embroidery. His show notes reinforced the sentiment:
“Dressing is always about taking risks.”

Balancing Tradition and Innovation

Not all brands threw caution to the wind. Some found strength in creative consistency while still pushing forward.

At Gucci, the absence of a creative director following Sabato De Sarno’s abrupt departure left the in-house team in charge. They turned to Gucci’s storied past, blending elements from different eras—gold horsebit detailing from 70 years ago, sleek ‘90s suiting from Tom Ford, geek-chic styling from Alessandro Michele, and delicate lace reminiscent of De Sarno’s recent collections. The show notes reflected this approach:
“A continuum of craft, taste, and culture that passes through time.”

At Fendi, third-generation designer Silvia Venturini Fendi embraced the brand’s centenary while looking forward. She celebrated the milestone with a symbolic gesture—her twin grandsons opened the doors through which models emerged.
“I was looking to the archive,” she said, “but the best way to celebrate is with a new collection.”

At Alberta Ferretti, newly appointed designer Lorenzo Serafini honored the house’s romantic DNA with Grecian-inspired gowns and sharp tuxedo tailoring. Over at Moschino, Adrian Appiolaza dialed down his usual conceptual excess, opting for a more cohesive—yet still playful—collection.

And at Max Mara, longtime creative director Ian Griffiths (celebrating 40 years at the brand) found inspiration in the Brontë sisters, crafting a collection for the modern woman who marches through corridors of power, bringing a dream with her.

Fashion as Performance

Several designers leaned on stage presence to make an impact.

At DSquared2, twin designers Dean and Dan Caten turned the runway into a concert, featuring a performance by Grammy-winner Doechii alongside Naomi Campbell.

The British supermodel later appeared front row at Dolce & Gabbana, where designers Domenico Dolce and Stefano Gabbana took a bold approach—having models walk straight from the runway out onto a makeshift catwalk on the street.

Meanwhile, Bottega Veneta skipped a traditional runway show, instead hosting an intimate evening with Patti Smith and Soundwalk Collective, featuring a spoken-word performance of “Correspondence” and a moving rendition of “Because the Night.”

A Shifting Landscape

With the fashion industry in flux, the era of dominant, singular trends is fading. Instead, brands are embracing divergent ideas—a chaotic mix of wild fringing, inside-out frayed seams, statement bows, and powerful oversized shoulders.

Rather than offering definitive answers, designers seem to be searching for them.

As Raf Simons noted backstage at Prada:
“You never really have an answer. You just challenge yourself and try to push it.”

In a conversation with Anna Wintour at the Triennale Museum, Donatella Versace lamented the tension between creativity and commercial pressure:
“Fashion is creativity, and creativity is instinct. If you try to please too many people—too many managers—creativity is gone.”

Milan Fashion Week made one thing clear:
Risk is the new rule.

Source

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When celebrities step onto a red carpet, their outfits are often as famous as they are, capturing the attention of millions and making a statement in the world of fashion. From Zendaya’s old Hollywood-inspired saffron Louis Vuitton gown at the Golden Globes to Angelina Jolie’s dazzling crystal McQueen dress, these outfits become immortalized by flashing cameras. But what happens to them after the event ends? Where do these iconic outfits go once they’ve been photographed and shared across social media?

The Afterlife of Red Carpet Outfits

After the glamour of the red carpet fades, the fate of the outfits can vary. Some are carefully stored in specialized archives, others are displayed in exhibitions, and some even find their way onto the open market for auction. Occasionally, certain outfits don’t even survive the event itself.

Fashion houses, who often own the dresses they design, are typically responsible for determining what happens to the outfits. Celebrities themselves sometimes decide to keep the dresses, with stars like Kim Kardashian and Zendaya acquiring the gowns they wear at major events.

The Rise of Red Carpet Dressing

Over the past two decades, the significance of red-carpet outfits has dramatically increased. Lucy Bishop, a fashion expert at auction house Sotheby’s, points to the 1997 Oscars when Nicole Kidman wore a Dior chartreuse gown by John Galliano. This marked the beginning of a trend where high-profile fashion houses began partnering more directly with celebrities to dress them for red carpet events.

“With the involvement of stylists and designers, the production of these looks has become a carefully planned and highly organized affair,” said Bishop. The high level of collaboration has led to more effort in preserving the outfits post-event.

What Happens to the Gowns Afterward?

The immediate aftermath of a red carpet event is a cleaning process, where the outfit is cleaned of body lotions, oils, perfumes, and makeup stains that could degrade the fabric over time. Sarah Scaturro, Chief Conservator at the Cleveland Museum of Art, notes that these materials can oxidize, affecting the fabric’s color and texture. Typically, the cleaning involves dry cleaning, although more delicate fabrics may require specialized treatments.

Once cleaned, the outfits are usually stored in specialized facilities. Fashion houses, private collectors, and institutions like The Wardrobe, an archiving and storage studio, maintain and preserve these pieces for years. These storage spaces are temperature-controlled, with low lighting and high humidity control to prevent deterioration.

Red Carpet Gowns as Artifacts

In recent years, many of these garments have been treated as pieces of art, featured in exhibitions rather than simply being worn again. The “Crown to Couture” exhibition at Kensington Palace, for example, displayed iconic red carpet looks, including the tulle Oscar de la Renta dress Billie Eilish wore to the 2021 Met Gala and the “Sun God” outfit worn by Billy Porter at the 2019 Met Gala.

Transporting these outfits for exhibitions is an intricate process. Julie Ann Clauss, founder of The Wardrobe, recalled the challenge of preparing delicate items like beaded gowns for international travel. “We need custom mounts and sometimes even crates as big as seven feet tall to ensure stability during transport,” Clauss said.

The Journey to Auction or Sale

Before red carpet outfits became highly curated by fashion houses, it was more common for celebrities to keep their gowns. Some even gave them away or sold them. One famous example is Elizabeth Taylor, who gave away the Dior gown she wore to collect her Oscar. It was later rediscovered packed away in a suitcase and eventually fetched $200,000 at an auction.

While many red carpet outfits end up in archives, some make unexpected journeys to the auction block. After the 2019 Golden Globes, Lady Gaga’s periwinkle Valentino gown was reportedly left behind in her hotel room, later found by a housekeeper. Though the gown spent months in the hotel’s lost-and-found before being offered at auction, it’s unclear whether the sale ever took place.

The Legacy of Red Carpet Fashion

As red carpet fashion continues to evolve, so does the treatment of the outfits worn by celebrities. Whether stored as archival pieces, featured in exhibitions, or occasionally sold at auction, these gowns are more than just clothing—they are symbols of creativity, craftsmanship, and the impact of fashion on pop culture.

Source

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