The 67th Annual Grammy Awards are just around the corner, and it’s time to start planning your viewing party! This year’s ceremony promises to be both star-studded and meaningful, as it takes place on Sunday, February 2, at the Crypto.com Arena in Los Angeles. While the event will still showcase the best in music, the Recording Academy has shifted its focus to support relief efforts for the devastating wildfires that affected the Los Angeles area.

Here’s everything you need to know about watching the 2025 Grammys, from streaming options to where you can see your favorite stars walk the red carpet.

When do the Grammys start and how can I watch?

The main show will air live at 8 p.m. Eastern on CBS and Paramount+. For those with a Paramount+ with Showtime subscription, you can watch the ceremony both live and on-demand.

How do I stream the Grammys?

If you prefer to stream the Grammys, you can do so through live TV streaming services that include CBS, such as:

• Hulu + Live TV
• YouTube TV
• FuboTV

For Paramount+ subscribers, the Grammy Awards will be available for streaming the day after the ceremony.

How can I watch the red carpet?

If you’re eager to catch all the fashion and interviews from the red carpet, The Associated Press will stream a three-hour show featuring interviews with stars and exclusive fashion coverage. You can watch it live on YouTube and APNews.com.

Who is nominated for the Grammys?

This year, the nominations are led by Beyoncé, who has earned 11 nominations, bringing her career total to 99, making her the most-nominated artist in Grammy history. Beyoncé is also the most decorated artist, with 32 Grammy wins.

Other top nominees include:

• Post Malone, Billie Eilish, Kendrick Lamar, and Charli XCX, each with 7 nominations.
• Taylor Swift, along with first-time nominees Sabrina Carpenter and Chappell Roan, each with 6 nominations.

How are the Los Angeles-area wildfires impacting the Grammys?

While the 2025 Grammy Awards will go ahead as planned, the event has shifted its focus to supporting wildfire relief efforts in the Los Angeles area. The devastating wildfires have deeply affected the community, including many music professionals, and the Recording Academy has decided to scale back its usual Grammy Week events in favor of fundraising.

The Recording Academy has condensed its pre-Grammy plans to just four events, each featuring a fundraising component. Notably, events like the Black Music Collective gathering, Grammy advocacy brunch, and immersive pop-up Grammy house events have been canceled. In total, at least 16 pre-Grammy events have been called off to redirect attention and resources to wildfire relief.

Harvey Mason Jr., CEO of the Recording Academy, stated, “This is our home, it’s home to thousands of music professionals, and many of us have been negatively impacted.”

How is the music industry responding to the wildfires?

The broader music industry is stepping up to assist with the wildfire recovery efforts. Universal Music Group, one of the world’s largest record labels, has canceled all of its Grammy-related events, including its annual artist showcase and Grammy after-party. Instead, the funds typically allocated to these events will now go towards wildfire relief.

Similarly, BMG and Warner Music Group have canceled their pre-Grammy celebrations and redirected their resources to support recovery efforts. Warner Music Group and the Blavatnik Family Foundation Social Justice Fund have already pledged $1 million toward Los Angeles-area fire relief.

MusiCares: Helping the Music Community

MusiCares, the organization dedicated to assisting music professionals in need of financial, medical, or personal support, will still hold its annual Persons of the Year benefit gala at the Los Angeles Convention Center on January 31. This year, the gala will honor the Grateful Dead with an added commitment to wildfire relief efforts.

At the event, MusiCares will make a special appeal for donations to help support the ongoing relief efforts for those impacted by the wildfires.

The 2025 Grammy Awards will undoubtedly be a night to remember, not only for celebrating musical talent but also for showing how the industry comes together to help those in need. Be sure to tune in, contribute to the relief efforts if you can, and enjoy a night of music’s biggest moments.

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While female desire is far from a new concept, 2024 marked a defining moment when the female sex drive became a dominant force in popular culture. From films and music to literature and TV shows, the representation of women’s pleasure and sexuality surged into the mainstream, openly and without apology.

Female Desire Takes Center Stage in Film

The year closes with the release of Babygirl (Christmas Day in the US, January 10 in the UK), a film that highlights female desire in a way rarely seen in mainstream cinema. Nicole Kidman plays a high-powered businesswoman who becomes sexually submissive to one of her interns. Directed by Dutch filmmaker Halina Reijn, the film tackles “the huge orgasm gap” between men and women, according to Reijn, and offers a fresh perspective on female sexuality.

As Kidman shared at the Venice Film Festival, Babygirl is told through the female gaze, making it unique and liberating. Historically, representations of female sexuality—whether in Edna O’Brien’s banned books, Jane Birkin’s sultry vocals, or Cardi B’s bold lyrics—were often considered exceptions. However, 2024 witnessed female desire break out from the margins and take center stage across multiple mediums.

Music Shifts Focus to Female Pleasure

Several artists led the charge in representing female desire in their music. Chappell Roan, whose monthly Spotify listeners skyrocketed from 1 million to 43 million this year, infuses her lyrics with references to queer relationships and sexual themes, including playful nods to popular vibrator styles. Similarly, Sabrina Carpenter’s album Short n’ Sweet, featuring explicit lyrics like “I’m so f**king horny,” debuted at number one on the Billboard 200.

Tinashe’s Nasty became the soundtrack of summer 2024, with its bold call for matching sexual energy. Meanwhile, FKA Twigs coined the term Eusexua to describe a euphoric sensation that transcends human form, a concept explored in her upcoming album of the same name.

Erotic Content Breaks New Ground

The rise of subscription-based audio erotica app Quinn reflects this cultural shift. Founded five years ago, Quinn’s revenue has grown by 440% over the past two years, partly due to celebrity narrators like Andrew Scott and Victoria Pedretti. Founder Caroline Spiegel believes that female desire, once hidden, is now celebrated openly, reflecting a broader cultural acceptance of women’s sexual needs as part of everyday media consumption.

Notably, A Court of Thorns and Roses by Sarah J. Maas topped Spotify’s list of the most popular audiobooks in 2024, solidifying the growing appeal of romantasy—romantic fantasy novels with explicit, sexual themes. Maas’s books accounted for four of the top 10 audiobooks in the US, earning her the title of Spotify’s global top author.

Television Highlights Female Pleasure

On the small screen, several high-profile shows placed female pleasure at the forefront. Starz’s Three Women, based on Lisa Taddeo’s bestselling book, delved into the intimate lives of three women, each exploring their unique sexual desires. Similarly, Disney+’s adaptation of Jilly Cooper’s Rivals embraced female desire in an 80s setting, blending raunchy, empowering moments with humor and drama.

In Bridgerton season 3, a groundbreaking sex scene between Penelope Featherington and Colin Bridgerton drew global attention for its sensitive, respectful portrayal of consent and intimacy. It stood out not only for its explicitness but also for the way it emphasized mutual respect and female agency.

Breaking Myths About Female Desire

2024 also challenged outdated notions about the age and appearance of women who desire sex. Miranda July’s novel All Fours depicted the sexual journey of a successful mother navigating perimenopause, highlighting the struggles of a woman who still craves passion despite societal pressures. The book resonated with readers, becoming a New York Times bestseller for its honest portrayal of desire later in life.

Elsewhere, Gillian Anderson’s anthology Want gave voice to women’s sexual fantasies, exploring a range of desires from the common to the surreal. Anderson received over 800 anonymous submissions from women worldwide, showing the breadth and diversity of female sexual fantasy and fueling important conversations about sexual power.

A New Era of Female Sexual Pleasure

As the conversation around female sexual pleasure continues to evolve, Dr. Justin Lehmiller, a social psychologist at the Kinsey Institute, notes that the topic of female masturbation and self-pleasure has become less taboo. The growing market for sex toys designed specifically for women’s fulfillment underscores this shift. Lehmiller attributes the change to increased female empowerment in education, economics, and psychology, fields once dominated by men, who often misunderstood women’s sexual experiences. With more women leading these fields, the understanding of female pleasure is more accurate and inclusive than ever before.

Conclusion: Speaking Up and Out

2024 marked a watershed moment in the mainstream recognition of female desire. From films and music to literature and sex-positive tech platforms, women are no longer whispering their desires in the shadows. Instead, they’re speaking out, reclaiming their narratives, and embracing their sexual power in the public eye. This year, female desire was not only acknowledged—it was celebrated.

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