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		<title>‘Wicked: For Good’ Soars Past Original Film With $226 Million Global Debut</title>
		<link>https://journosnews.com/wicked-for-good-soars-past-original-film-with-226-million-global-debut/</link>
		
		<dc:creator><![CDATA[The Daily Desk]]></dc:creator>
		<pubDate>Sun, 23 Nov 2025 16:38:59 +0000</pubDate>
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		<guid isPermaLink="false">https://journosnews.com/?p=21675</guid>

					<description><![CDATA[<p>Wicked: For Good Breaks Box Office Records With $226 Million Global Debut Universal Pictures’ two-part adaptation of the Broadway hit “Wicked” continues its blockbuster streak with the release of “Wicked: For Good”, surpassing the first film’s global debut. In its opening weekend, the final chapter earned $150 million domestically and $226 million worldwide, according to [&#8230;]</p>
<p>The post <a href="https://journosnews.com/wicked-for-good-soars-past-original-film-with-226-million-global-debut/">‘Wicked: For Good’ Soars Past Original Film With $226 Million Global Debut</a> appeared first on <a href="https://journosnews.com">Journos News - Breaking News, World News, Top Stories, Todays Headlines and Flash Reports</a>.</p>
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										<content:encoded><![CDATA[<h3 data-start="458" data-end="559"><strong data-start="482" data-end="559">Wicked: For Good Breaks Box Office Records With $226 Million Global Debut</strong></h3>
<p data-start="561" data-end="1006">Universal Pictures’ two-part adaptation of the Broadway hit “Wicked” continues its blockbuster streak with the release of <strong data-start="683" data-end="705">“Wicked: For Good”</strong>, surpassing the first film’s global debut. In its opening weekend, the final chapter earned $150 million domestically and $226 million worldwide, according to studio estimates released on Sunday, cementing the franchise’s status as one of the most successful musical adaptations in cinematic history.</p>
<p data-start="1008" data-end="1375">The sequel’s opening eclipsed the original film’s $112 million North American launch, setting a new benchmark for Broadway-based movies. Only “The Minecraft Movie” has recorded a higher opening this year, with $162 million. Analysts note that the strong debut signals renewed audience appetite for musical adaptations, particularly as the holiday season approaches.</p>
<h3 data-start="1382" data-end="1421">Domestic Box Office Momentum</h3>
<p data-start="1423" data-end="1855">“Wicked: For Good” began its theatrical rollout earlier in the week with preview screenings. On Monday, it grossed $6.1 million from 1,050 theaters, followed by $6.5 million from 2,300 theaters on Wednesday. By Friday, the film had expanded to 4,115 North American locations, generating $68.6 million in daily earnings. IMAX screenings contributed $15.5 million—around 11% of the domestic total—a record for the company in November.</p>
<p data-start="1857" data-end="2184">IMAX CEO Rich Gelfond emphasized the film’s broad appeal, stating that the results demonstrate “our momentum carries into demos and genres beyond our traditional core, including families.” The success reflects both the film’s marketing reach and its resonance with core audiences, particularly families and young adult viewers.</p>
<h3 data-start="2191" data-end="2237">Audience Demographics and Reception</h3>
<p data-start="2239" data-end="2710">Women accounted for approximately 71% of opening weekend ticket buyers, according to PostTrak exit polls, mirroring trends seen during the first film’s release. Critics offered mixed reviews of the sequel, noting some narrative pacing issues, but audiences responded overwhelmingly positively. An estimated 83% of viewers said they would “definitely recommend” the film to friends, underscoring the franchise’s continued popularity and the power of fan-driven engagement.</p>
<p data-start="2712" data-end="3188">Directed by Jon M. Chu, both films star Cynthia Erivo and Ariana Grande, reprising their leading roles from the original installment. The first “Wicked” adaptation earned over $758.7 million globally and garnered ten Academy Award nominations, winning for Best Costume Design and Best Production Design. With combined production costs of around $300 million—excluding marketing—the two films represent one of the most significant investments in musical cinema in recent years.</p>
<h3 data-start="3195" data-end="3235">Global Box Office Performance</h3>
<p data-start="3237" data-end="3674">Internationally, the film opened in multiple markets simultaneously, contributing to the $226 million global figure. While North America remains a key driver of revenue, strong performances in Europe, Asia, and Latin America helped push the sequel past the previous record. Industry analysts attribute this success to the built-in Broadway fanbase, strategic marketing campaigns, and the rising popularity of musical films post-pandemic.</p>
<p data-start="3676" data-end="4072">Universal’s marketing strategy emphasized cross-platform engagement, including streaming tie-ins, merchandise collaborations, and high-profile interviews. Social media buzz, particularly on platforms such as TikTok and Instagram, amplified pre-release anticipation. Early box office results suggest that the sequel is likely to maintain momentum, particularly through the upcoming holiday period.</p>
<h3 data-start="4079" data-end="4126">Competition and Box Office Landscape</h3>
<p data-start="4128" data-end="4626">This weekend saw additional wide releases, though none rivaled “Wicked: For Good” in box office earnings. Searchlight Pictures released Brendan Fraser’s comedy-drama <strong data-start="4294" data-end="4313">“Rental Family”</strong> in 1,925 theaters, while Sony distributed the Finnish action film <strong data-start="4380" data-end="4407">“Sisu: Road to Revenge”</strong> across 2,222 theaters. Despite modest openings, these films faced stiff competition from established holdovers and the blockbuster musical, illustrating a “winner-takes-all” pattern common during peak holiday weekends.</p>
<p data-start="4628" data-end="5045">Entertainment industry observers highlight that the success of “Wicked: For Good” is crucial for cinemas nationwide. Following a slower fall season, theaters rely on blockbuster openings to drive attendance ahead of Thanksgiving and holiday releases. Upcoming titles, including <strong data-start="4906" data-end="4922">“Zootopia 2”</strong>, are expected to benefit from renewed audience interest in theaters, further strengthening the domestic exhibition sector.</p>
<h3 data-start="5052" data-end="5103">Critical Perspective and Industry Impact</h3>
<p data-start="5105" data-end="5566">The “Wicked” franchise demonstrates how Broadway adaptations can generate substantial box office returns while appealing to global audiences. The films’ combined production and marketing costs represent a high-stakes gamble, but early results suggest the investment is paying off. Industry analysts argue that the sequel’s success reinforces the potential of musicals to attract diverse demographics, including families, young adults, and international viewers.</p>
<p data-start="5568" data-end="5955">The films also underscore the importance of casting and star power. Cynthia Erivo’s performance received widespread acclaim, while Ariana Grande’s involvement drew her large fanbase to theaters, contributing significantly to ticket sales. This strategy mirrors trends seen in other adaptations, where established stage works are elevated through cinematic spectacle and celebrity appeal.</p>
<h3 data-start="5962" data-end="5986">Looking Ahead</h3>
<p data-start="5988" data-end="6379">As “Wicked: For Good” continues its theatrical run, box office analysts will closely monitor its weekend-to-weekend performance, international expansion, and audience reception. The film’s success sets the stage for potential spin-offs, streaming partnerships, and merchandising opportunities, solidifying “Wicked” as one of the most commercially successful musical franchises of the decade.</p>
<p data-start="6381" data-end="6762">With audiences responding positively to both spectacle and storytelling, Universal Pictures’ two-part gamble demonstrates that high-quality adaptations can achieve significant returns while enriching the global entertainment landscape. The combination of nostalgic Broadway appeal and modern cinematic production positions “Wicked” as a benchmark for future musical film endeavors.</p>
<p><em>Source: AP News &#8211; <a href="https://apnews.com/article/box-office-4531362f0723978de9b1d67faba41806">‘Wicked: For Good’ is even more popular than the first, soaring to a $226 million global debut</a></em></p>
<p>The post <a href="https://journosnews.com/wicked-for-good-soars-past-original-film-with-226-million-global-debut/">‘Wicked: For Good’ Soars Past Original Film With $226 Million Global Debut</a> appeared first on <a href="https://journosnews.com">Journos News - Breaking News, World News, Top Stories, Todays Headlines and Flash Reports</a>.</p>
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		<title>Netflix’s ‘Emilia Pérez’ Leads Oscar Nominations Hopes</title>
		<link>https://journosnews.com/netflixs-emilia-perez-leads-oscar-nominations-hopes/</link>
		
		<dc:creator><![CDATA[The Daily Desk]]></dc:creator>
		<pubDate>Wed, 18 Dec 2024 11:22:42 +0000</pubDate>
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		<guid isPermaLink="false">https://journosnews.com/?p=6437</guid>

					<description><![CDATA[<p>‘Emilia Pérez’ and ‘Wicked’ Take Center Stage in Oscar Shortlists The road to the 97th Academy Awards is heating up as the Academy of Motion Picture Arts and Sciences unveiled its shortlists in 10 categories on Tuesday. Notable contenders in documentary, international feature, original song, and score are now one step closer to Hollywood’s most [&#8230;]</p>
<p>The post <a href="https://journosnews.com/netflixs-emilia-perez-leads-oscar-nominations-hopes/">Netflix’s ‘Emilia Pérez’ Leads Oscar Nominations Hopes</a> appeared first on <a href="https://journosnews.com">Journos News - Breaking News, World News, Top Stories, Todays Headlines and Flash Reports</a>.</p>
]]></description>
										<content:encoded><![CDATA[<h3><strong>‘Emilia Pérez’ and ‘Wicked’ Take Center Stage in Oscar Shortlists</strong></h3>
<p>The road to the 97th Academy Awards is heating up as the Academy of Motion Picture Arts and Sciences unveiled its shortlists in 10 categories on Tuesday. Notable contenders in documentary, international feature, original song, and score are now one step closer to Hollywood’s most coveted honor.</p>
<p>Two musicals, <em>“Emilia Pérez”</em> and <em>“Wicked,”</em> have emerged as strong contenders, earning recognition in multiple categories.</p>
<h3><em>“Emilia Pérez”</em> Shines Bright</h3>
<p>Netflix&#8217;s daring transgender drug-lord drama, <em>“Emilia Pérez,”</em> leads the charge with mentions in international feature, original score, sound, hair and makeup, and two original songs—<em>“Mi Camino”</em> and <em>“El Mal,”</em> the latter performed by Zoe Saldaña.</p>
<h3><em>“Wicked”</em> Gains Momentum</h3>
<p>The highly anticipated adaptation of the Broadway hit <em>“Wicked”</em> is also making waves. While ineligible for original songs due to its source material, the film secured spots in hair and makeup, original score, sound, and visual effects.</p>
<h3>Spotlight on Original Songs</h3>
<p>This year’s original song category features an eclectic mix of artists:</p>
<ul>
<li>Pharrell Williams for <em>“Piece by Piece”</em></li>
<li>Lainey Wilson for <em>“Out of Oklahoma”</em> from <em>“Twisters”</em></li>
<li>Elton John and Brandi Carlile for <em>“Never Too Late”</em></li>
<li>Robbie Williams for <em>“Forbidden Road”</em> from <em>“Better Man”</em></li>
</ul>
<p>Diane Warren, a 15-time nominee, is eyeing her 16th nod for her song in <em>“The Six Triple Eight.”</em> Nicholas Britell’s <em>“Winter Coat,”</em> performed by Saoirse Ronan in <em>“Blitz,”</em> and Lin-Manuel Miranda’s <em>“Tell Me It’s You”</em> from <em>“Mufasa: The Lion King”</em> also made the cut.</p>
<h3>Documentary Features in the Spotlight</h3>
<p>Fifteen documentaries advanced to the next round, including:</p>
<ul>
<li><em>“The Bibi Files”</em></li>
<li><em>“Daughters”</em></li>
<li><em>“Dahomey”</em></li>
<li><em>“Frida”</em></li>
<li><em>“Union”</em></li>
<li><em>“No Other Land”</em></li>
</ul>
<h3>International Feature Film Highlights</h3>
<p>Among the 15 international features advancing are:</p>
<ul>
<li><em>“I’m Still Here”</em> (Brazil)</li>
<li><em>“Universal Language”</em> (Canada)</li>
<li><em>“The Seed of the Sacred Fig”</em> (Germany)</li>
<li><em>“Kneecap”</em> (Ireland)</li>
<li><em>“Flow”</em> (Latvia)</li>
<li><em>“Dahomey”</em> (Senegal)</li>
</ul>
<h3>Below-the-Line Contenders</h3>
<p>Celebrating the technical and artistic crafts, below-the-line categories feature some unexpected nominees:</p>
<ul>
<li><em>“Deadpool &amp; Wolverine”</em> for sound and visual effects</li>
<li><em>“Alien: Romulus”</em> for sound and score</li>
<li><em>“Dune: Part Two”</em> for visual effects, sound, and hair and makeup, though Hans Zimmer&#8217;s score was deemed ineligible due to overlap with the first <em>“Dune.”</em></li>
</ul>
<p>Zimmer did, however, secure a spot for <em>“Blitz.”</em> Other notable composers advancing include Danny Elfman (<em>“Beetlejuice Beetlejuice”</em>), Kris Bowers (<em>“The Wild Robot”</em>), and Bryce Dessner (<em>“Sing Sing”</em>).</p>
<h3>What’s Next?</h3>
<p>Shortlists are determined by Academy members within specific branches, employing various methods, including committees and minimum viewing requirements.</p>
<p>The race now narrows as the final five nominees in each category will be revealed on January 17. The 97th Oscars, hosted by Conan O’Brien, will take place on Sunday, March 2, airing on ABC and streaming live on Hulu.</p>
<p><a href="https://apnews.com/article/oscars-2025-shortlists-63190518f01c1bf9a570a5405d3adfad"><em>Source</em></a></p>
<p>The post <a href="https://journosnews.com/netflixs-emilia-perez-leads-oscar-nominations-hopes/">Netflix’s ‘Emilia Pérez’ Leads Oscar Nominations Hopes</a> appeared first on <a href="https://journosnews.com">Journos News - Breaking News, World News, Top Stories, Todays Headlines and Flash Reports</a>.</p>
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