The question is not simply why these garments are popular, but what their popularity indicates. The appeal of British country style intersects with questions of heritage, class aspiration, economic uncertainty and resistance to fast-moving digital trend cycles. Its endurance into 2026 appears less about novelty than about symbolism.

This analysis examines how cultural media, fashion houses, psychological drivers and shifting class narratives have converged to make countryside dressing one of the year’s most persistent aesthetics.

Royal Endorsement and Institutional Continuity

The British Royal Family has long functioned as a visual anchor for countryside style. The Princess of Wales has frequently appeared in tweed, riding boots and structured coats, often incorporating houndstooth—a pattern rooted in Scottish shepherd traditions—into formal engagements. Her recent appearance in a blue-and-black houndstooth design by Emilia Wickstead reinforced the continuity of this visual language.

The late Princess Diana similarly incorporated country tailoring into her wardrobe, embedding these textiles within a broader narrative of British aristocratic ease. Such visual continuity matters in fashion analysis: heritage garments gain renewed relevance when worn by figures associated with institutional stability.

Unlike celebrity-driven micro-trends that rise and fall within weeks, royal-adjacent style signals durability. That distinction appears central to its renewed traction.

Catwalk Translation: From Estate to Runway

Luxury fashion houses have reframed countryside codes for international audiences. Fendi’s autumn/winter 2024–25 menswear collection drew inspiration from the pragmatic elegance associated with Princess Anne, incorporating Barbour-style outerwear, leather wellington boots and tartan references. The collection did not reproduce rural clothing literally; rather, it elevated its silhouettes and fabrics into luxury contexts.

Meanwhile, Burberry creative director Daniel Lee referenced Britain’s “Friday night exodus” to the countryside in his autumn-winter 2025 presentation. The collection juxtaposed weatherproof materials with stately-home chintz, suggesting both functionality and inherited comfort.

French house Louis Vuitton similarly incorporated English pastoral motifs into recent collections. These gestures reflect an industry-wide recalibration: heritage codes provide narrative depth at a time when fashion brands seek authenticity amid consumer scepticism.

Perhaps most symbolically, Dior staged a major show at Drummond Castle in Scotland, collaborating with heritage textile producers such as Harris Tweed and Johnstons of Elgin. The decision to present in Scotland reinforced the legitimacy of these materials within global luxury.

This is not simply aesthetic borrowing. It is institutional alignment with craftsmanship traditions that predate modern fashion cycles.

Screen Culture and the Estate Imaginary

Television and film have amplified countryside aesthetics beyond fashion circles. Emerald Fennell’s Saltburn offered a stylised satire of British aristocratic life, foregrounding estate interiors and tailored country wardrobes. The series The Traitors, filmed in the Scottish Highlands and hosted by Claudia Winkleman, reinforced the visual link between dramatic landscapes and knitwear-heavy styling.

On streaming platforms, the Netflix documentary series Beckham spotlighted David Beckham adopting what social media has dubbed “Rich Autumn Dad” attire—tweed caps, flannel shirts and muted earth tones. The aesthetic blends approachability with implied wealth, presenting countryside dressing as relaxed authority rather than rigid formality.

Media representation matters because it shapes collective aspiration. The British estate—whether satirised or romanticised—functions as a symbol of permanence, lineage and insulation from volatility.

Reaction Against Micro-Trend Volatility

The resurgence of countryside style also coincides with fatigue around micro-trends accelerated by platforms such as TikTok. Short-lived aesthetics—from “balletcore” to hyper-specific seasonal themes—have compressed fashion cycles dramatically. According to fashion psychologists and industry observers, garments that signal longevity may operate as a counterbalance.

Waxed cotton jackets, tweeds and Fair Isle knits communicate durability. These fabrics are constructed for weather resistance and longevity rather than algorithmic virality. In a consumer landscape shaped by economic uncertainty and geopolitical instability, clothing that implies resilience may hold emotional appeal.

This does not necessarily indicate a wholesale rejection of trend culture. Rather, countryside dressing appears to offer symbolic stability within it. The garments suggest continuity with tradition, even when worn in urban environments far removed from fields and estates.

The Comfort Factor in Uncertain Times

Economic data across advanced economies continues to reflect inflationary pressures and uneven growth, according to reporting from Reuters and the Financial Times. In such contexts, consumption patterns often shift toward items framed as “investment” pieces—durable goods rather than disposable fashion.

Countryside fabrics reinforce this narrative. Tweed and waxed cotton are marketed as long-lasting; leather boots imply repairability rather than replacement. While luxury price points remain high, the underlying story centres on longevity.

Psychologically, textured natural fabrics may also evoke sensory comfort. Earth tones, heavy knits and layered tailoring correspond visually with ideas of shelter and insulation. In periods of instability, aesthetic cues associated with safety can gain traction.

Importantly, this comfort is symbolic as much as practical. Many urban wearers of barn jackets will not encounter rural weather extremes. The garments operate more as emotional signifiers than functional necessities.

The Class Paradox: Accessibility and Aspiration

Countryside dressing carries historical associations with British upper-class leisure—shooting weekends, inherited estates, Land Rovers parked outside manor houses. That symbolism introduces a tension: the aesthetic communicates privilege even when worn by those outside those social circles.

Fashion historically “aims upward,” borrowing codes from higher socioeconomic strata. However, the aspiration embedded in countryside style differs from youth-driven or celebrity-focused trends. It gestures toward lifestyle—space, land, quiet—rather than glamour.

The popularity of kilts from London-based brand Chopova Lowena, reinterpreted through punk and street influences, demonstrates how heritage garments can be subverted. When worn in East London or Brooklyn rather than rural Scotland, the kilt becomes commentary rather than costume.

Similarly, the ubiquity of Barbour jackets—originally functional outerwear—illustrates how context transforms meaning. On a country estate, it signals participation in rural tradition. In an urban creative district, it may signal irony, aspiration or appreciation of craftsmanship.

The ambiguity contributes to the trend’s flexibility. Countryside style can simultaneously reference privilege and critique it.

Globalisation of a Local Code

The appeal of British rural aesthetics in the United States reflects parallels between the UK’s country-house weekend culture and American equivalents such as summer migrations to coastal enclaves. The visual codes—earth tones, heritage patterns, structured tailoring—translate across contexts.

Fashion brands benefit from this portability. Heritage offers narrative consistency in a fragmented market. When global houses integrate British countryside motifs, they tap into a mythology already legible to international audiences through film and media.

That mythology is not static. It evolves through reinterpretation by designers and consumers. The presence of countryside codes in Paris and Milan suggests less a national revival than a globally circulating aesthetic language.

Durability or Cycle?

Whether countryside dressing represents a structural shift or an extended cycle remains uncertain. Fashion history demonstrates periodic returns to heritage aesthetics during times of social flux. The 1970s and early 1990s saw similar revivals of tweed and equestrian references.

However, the current iteration appears broader in scope, spanning luxury runways, high-street retailers and social media discourse simultaneously. Its endurance into 2026 will likely depend on macroeconomic stability and the persistence of nostalgia-driven storytelling in entertainment.

If economic conditions stabilise and digital trend velocity slows, the symbolic urgency of countryside dressing may diminish. Conversely, prolonged uncertainty could entrench its appeal as a visual shorthand for continuity.

What the Trend Ultimately Signals

British countryside dressing in 2025 functions less as costume and more as narrative. It suggests durability amid volatility, tradition amid fragmentation and understated privilege amid conspicuous consumption.

Its global reach underscores fashion’s ability to repackage local histories into transnational symbols. Yet its contradictions—comfort versus elitism, authenticity versus aspiration—remain unresolved.

Rather than declaring the trend ascendant or ephemeral, evidence indicates it occupies a moment shaped by cultural fatigue with speed and spectacle. Whether worn sincerely or subversively, countryside codes provide a framework through which consumers negotiate stability, identity and belonging.

In that sense, the question is not why tweed and waxed jackets are visible this year, but why the stories they tell resonate now.

Source: BBC – Why British countryside dressing has been big this year

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Fátima Bosch Fernández of Mexico captured the Miss Universe 2025 crown on Friday, marking a dramatic turn in a pageant overshadowed by public criticism and controversy. Bosch, 25, faced bullying from a host days before the final, sparking solidarity from fellow contestants and national leaders.

Pageant Drama Unfolds in Bangkok

The 74th Miss Universe pageant in Bangkok, Thailand, became the center of intense public attention weeks before the finale due to tensions between contestants and organizers. Bosch, representing Mexico, was publicly reprimanded by Thai national director Nawat Itsaragrisil during the November 4 sashing ceremony for allegedly failing to follow local promotional guidelines.

When Bosch defended herself, security was reportedly called, prompting her to walk out of the room. Several contestants joined her in solidarity, including Miss Universe 2024, Victoria Kjær Theilvig of Denmark.

Bosch told Thai reporters, “What your director did is not respectful: He called me dumb. If it takes away your dignity, you need to go.” Nawat denied making the remark but later issued a public apology in front of the contestants, expressing regret for any discomfort caused.

Triumphant Victory

Despite the controversy, Bosch achieved a historic victory on Friday. As her name was announced as Miss Universe 2025, the crowd erupted in cheers, waving Mexican flags in celebration. Speaking to the media, Bosch said she hoped to be remembered as “a person that changed a little bit the prototype of what is a Miss Universe and a real person that gives the heart.”

She emphasized the pageant’s role as a platform for women’s voices: “It is strong because it provides the space that women are searching to have a voice.”

The first runner-up was Praveenar Singh of Thailand, 29, followed by Stephany Adriana Abasali Nasser of Venezuela, 25. Ahtisa Manalo, 28, of the Philippines, and Olivia Yacé, 27, of Ivory Coast, completed the top five finishers.

International and Social Reactions

Bosch’s stand against perceived bullying drew international attention. Raúl Rocha Cantú, president of the Miss Universe Organization, condemned the host’s conduct, labeling it “public aggression” and “serious abuse.”

Mexico’s first female president, Claudia Sheinbaum, publicly praised Bosch for responding “in a dignified way” and highlighted the importance of women raising their voices. Sheinbaum noted, “We women look more beautiful when we raise our voice and participate, because that has to do with the recognition of our rights.”

Nawat Itsaragrisil later apologized, stating, “If anyone was affected or not comfortable, it happened. I am so sorry,” though he also appeared visibly defiant in front of the contestants.

Bosch’s Background and Advocacy

Bosch has a strong foundation in fashion, having studied in Mexico and Italy. Her work emphasizes sustainability, including designing with recycled materials. In addition to her professional pursuits, Bosch has been active in volunteer efforts, working with sick children, promoting environmental awareness, and supporting migrants and mental health initiatives.

Her victory has been interpreted not only as a personal achievement but also as recognition of social advocacy, empowerment, and resilience.

Pageant Controversies and Historical Context

The 2025 competition was marked by additional turbulence. Reports indicated that two judges had resigned, one citing possible bias or rigging, though these claims were denied. Thai authorities investigated alleged illegal promotion of online casinos connected to the event’s publicity.

Pageant mishaps are not uncommon. In 2021, the event faced criticism for being held in Israel, prompting backlash from Palestinian supporters. During the 2025 event, Miss Universe Jamaica, Gabrielle Henry, briefly fell off the stage during the evening gown segment, though she was not injured.

Bold Cultural Significance and Broader Implications

Bosch’s victory highlights evolving expectations for beauty pageants in the 21st century, where public poise, advocacy, and social engagement increasingly weigh alongside traditional measures of appearance. Her response to public bullying and subsequent triumph reflects wider discussions about women’s rights, dignity, and empowerment on global platforms.

By asserting her voice in the face of criticism, Bosch has become emblematic of a cultural shift in how contestants engage with authority and the media, inspiring discourse about respect, resilience, and the responsibilities of pageant organizers toward participants.

Conclusion

Fátima Bosch Fernández’s win at Miss Universe 2025 demonstrates the interplay of talent, advocacy, and courage in contemporary global pageantry. Beyond a crown, her journey underscores the social impact of standing against injustice, offering a modern model of empowerment for women worldwide.

Source: AP News – Mexico’s bullied pageant contestant gets payback by capturing Miss Universe crown

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Two judges of the upcoming Miss Universe pageant have resigned, citing concerns over the selection process. Lebanese-French musician Omar Harfouch claimed finalists were pre-selected by an unofficial jury, while French football manager Claude Makélélé cited personal reasons. The Miss Universe Organisation denied the allegations and clarified the structure of its Beyond the Crown initiative.

Judges Resign Days Before Competition

Lebanese-French musician Omar Harfouch announced his resignation from the eight-member Miss Universe jury on Instagram, alleging that an “impromptu jury” had pre-selected finalists ahead of the competition, scheduled for Friday in Thailand.

Harfouch claimed that the unofficial jury included individuals with potential conflicts of interest due to personal relationships with contestants, effectively sidelining the official panel. He said he discovered this arrangement through social media and expressed concern that it compromised the fairness of the competition.

Hours later, French football manager Claude Makélélé also announced his withdrawal, citing “unforeseen personal reasons” in a brief Instagram post. Both resignations have intensified scrutiny of the pageant just days before its annual event.

Allegations Spark Questions on Pageant Transparency

Harfouch’s allegations follow a series of controversies that began two weeks ago, when several contestants walked out of a pre-pageant event. The protest was triggered by public comments from Thailand’s Miss Universe director, Nawat Itsaragrisil, who reportedly criticized Miss Mexico, Fatima Bosch, for not promoting the pageant on social media.

Videos from the incident show Bosch and other contestants leaving the stage and confronting Nawat, prompting international attention. Although Nawat later claimed his remarks were misinterpreted, the Miss Universe Organisation responded by sending senior executives to oversee the event’s operations, signaling concern over proper conduct and contestant treatment.

Miss Universe Organisation Responds

In a statement, the Miss Universe Organisation denied Harfouch’s claims, asserting that no external group was authorized to evaluate delegates or select finalists. Officials suggested that Harfouch may have confused the situation with the Beyond the Crown programme, a social impact initiative separate from the official pageant.

The organisation clarified that Beyond the Crown has its own independent selection committee and operates outside the competition’s judging process. It also said Harfouch’s allegations misrepresented the programme, emphasizing that the official jury remains responsible for finalist selection.

Impact on Pageant and Public Perception

Makélélé, who also resigned via Instagram, framed his decision as difficult, noting his respect for the Miss Universe platform. “I hold Miss Universe in the highest regard. The platform represents empowerment, diversity, and excellence – values I have always championed throughout my career,” he wrote.

Observers suggest that the resignations, combined with prior incidents, could affect public confidence in the pageant’s transparency and fairness. The Miss Universe Organisation faces pressure to demonstrate integrity while managing the event, which features contestants from 136 countries.

Background of Controversies

The pageant’s Thailand-hosted edition has already seen heightened tensions. Earlier protests by contestants were widely circulated online, drawing criticism of management practices and social media expectations. The incident underscores broader concerns about contestant welfare and the balance between promotional obligations and fair competition.

As the competition approaches, the organisation must navigate these controversies while ensuring a credible and smoothly-run pageant. The resignations of two high-profile judges further highlight the challenge of maintaining trust and accountability in an event of this global scale.

Source: BBC – Two Miss Universe judges quit scandal-hit pageant, as one claims it’s rigged

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Inconsistent clothing sizes across brands have long frustrated consumers and cost retailers billions annually. Emerging technologies, from AI-driven sizing platforms to virtual fitting rooms, are now attempting to address these challenges while improving sustainability and customer confidence. Industry experts emphasize both potential and limitations of tech in standardizing fashion sizes.

The Global Sizing Problem

Many shoppers know the frustration: a pair of jeans labeled size 10 at one store may be a size 14 elsewhere. This inconsistency leads to confusion, frustration, and a surge in product returns. Retailers globally lose an estimated £190 billion annually to returns caused by mismatched sizing, according to industry estimates.

“I don’t trust high-street sizing,” said one London shopper. “I buy by how it looks rather than the actual size.” Such practices often result in ordering multiple items of the same style, with unused pieces returned, exacerbating environmental and financial costs.

Emerging Solutions in Sizing Technology

AI and Body-Scanning Tools
Companies including 3DLook, True Fit, and EasySize use smartphone body scans to recommend the most accurate size for shoppers. These systems reduce guesswork at checkout and aim to cut return rates.

Virtual Fitting Rooms
Platforms like Google’s virtual try-on, Doji, Alta, Novus, DRESSX Agent, and WEARFITS allow users to create digital avatars, previewing garments before purchase. This approach provides a more personalized shopping experience and enhances consumer confidence online.

AI Shopping Agents
Newer tools such as Daydream, OneOff, and Phia combine AI recommendations with celebrity-inspired styling and comparative sizing analysis across multiple e-commerce sites. These technologies increasingly bridge the gap between personal preference and accurate fit prediction.

Fit Collective and Pre-Production Solutions

UK-based start-up Fit Collective, founded by tailor Phoebe Gormley, tackles sizing issues at the production stage rather than at the point of sale. Gormley uses machine learning to analyze manufacturing data, sales figures, returns, and customer feedback to adjust patterns and sizing before garments are produced.

“Fashion’s current model is a downward spiral: brands make cheaper garments to offset returns, leading to unhappy customers and more waste,” Gormley told industry reporters. Fit Collective raised £3 million in pre-seed funding, reportedly the largest for a solo female founder in the UK.

The system provides actionable guidance for design teams, such as adjusting garment length by a few centimeters to reduce return rates and improve overall fit consistency.

Industry Experts on Technology and Limitations

Paul Alger, Director of International Business at the UK Fashion and Textile Association, cautions that body shapes and fit preferences are highly individual. “People aren’t mannequins. Sizing is subjective, and global body shapes differ,” he explained.

Alger also highlighted “vanity sizing,” where brands intentionally label clothes with smaller numbers to appeal to consumer psychology. Once established, these sizing norms persist across seasons, creating brand-specific standards rather than universal measurements.

Sophie De Salis, sustainability policy adviser at the British Retail Consortium, notes that retailers are increasingly prioritizing smarter sizing tech. “AI-driven solutions are key to reducing returns and supporting sustainability goals,” she said. Many BRC members now collaborate with innovative technology providers to improve size accuracy and minimize waste.

The Road Ahead for Fashion Retail

While no single tool can completely resolve inconsistent sizing, the combination of AI analytics, virtual fitting rooms, and pre-production sizing adjustments suggests the industry is evolving.

With returns increasingly a board-level concern and sustainability pressures mounting, fashion houses may accelerate adoption of data-driven design and sizing solutions. The shift reflects both consumer demand for better-fitting clothes and the environmental need to reduce excessive returns and production waste.

“As technology improves, we can anticipate fewer returns, happier customers, and more sustainable practices,” De Salis said, emphasizing the dual benefit of accuracy and environmental responsibility.

Source: BBC – Can technology fix fashion’s sizing crisis?

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Apple TV’s “Palm Royale” returns with Season 2, blending high-style 1960s- and 1970s-inspired fashion with comedic storytelling. Emmy-winning costume designer Alix Friedberg coordinated vintage and custom-made pieces to reflect character growth, social status, and feminist themes.

Crafting Characters Through Clothing

Vintage Designs and Modern Storytelling

The series follows Kristen Wiig’s character, Maxine, navigating Palm Beach high society in 1969. From the opening scene, Wiig wears a yellow fringed hat, gold platform sandals, and bell-bottom pants adorned with fabric petals, signaling the centrality of costume to storytelling.

Season 2 features a mix of original vintage designer garments and newly constructed outfits. Friedberg says roughly half of the season’s brightly colored, graphic prints were sourced from designer archives, supporting the characters’ jet-setting personas.

Kaia Gerber, portraying Mitzi, called the iconic costumes emotionally impactful. “Sometimes Kristen will walk in wearing something, and it brings tears to my eyes,” Gerber told the Associated Press.

The Creative Process Behind the Costumes

Sourcing and Building Iconic Looks

Friedberg’s team works beyond shopping, constructing duplicates when necessary to maintain continuity during multiple scene appearances or dance numbers. The team sourced vintage pieces in exceptional condition, including Oscar de la Renta, Bill Blass, Oleg Cassini, and Halston.

Allison Janney praised Friedberg’s work as “brilliant,” noting that the hair, makeup, and costumes combine to create fully realized characters. Iconic après-ski looks, particularly for Swiss Alps scenes, were among her favorites, though she admitted choosing a single favorite was difficult.

Humor Through Wardrobe

Costumes as Comedic Devices

Costume choices also accentuate comedic moments. Friedberg highlighted Evelyn’s deadpan delivery paired with extravagant outfits, including sequences requiring multiple wigs, generating humor through visual absurdity.

Carol Burnett described costume fittings as integral to shaping her character, Norma, the scheming socialite. The signature turban emerged as a practical solution that evolved into a defining element of her look, guiding the design of dresses and accessories around it.

Fashion as Feminist Expression

Empowerment Through Style

Season 2 emphasizes female empowerment through wardrobe choices. Pantsuits and tailored ensembles reflect autonomy and social progress. Leslie Bibb’s character, Dinah, transitions from trophy wife to independent figure, inspired by icons like Sharon Stone in “Casino.” The shift into pantsuits signals her evolving identity and agency.

Costume design also illustrates male characters’ reliance on women for style. Josh Lucas’s character, Douglas, appears increasingly disheveled this season, wearing only worn Hawaiian shirts as a visual representation of diminished personal control.

Symbolism and Character Arcs

Visual Storytelling Through Clothing

Gerber’s character, Mitzi, undergoes a transformation in Season 2, with costumes reflecting newfound wealth and self-assertion. Friedberg described Maxine’s Oscar de la Renta dress as a statement piece: a visual cue of her arrival and social ascension without dialogue.

Each wardrobe choice reinforces character motivations and narrative themes, merging humor, style, and empowerment. Costume design in “Palm Royale” demonstrates how fashion can serve both aesthetic and narrative functions, providing audiences with a richer, multi-layered viewing experience.

Source: AP News – How the funny and feminist fashion in ‘Palm Royale’ further the storytelling

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A live video showing Miss Universe Mexico, Fatima Bosch, being scolded by a Thai pageant official has gone viral. The clip sparked allegations of misogyny and reignited global debate about women’s treatment in beauty pageants.

In the footage, Nawat Itsaragrisil, president of Miss Grand International (MGI), is seen publicly criticizing Bosch for not posting enough promotional content about Thailand, the host country of the 74th Miss Universe competition. The event will be held in Bangkok later this month.

During the heated exchange, Nawat accused Bosch of following orders from Mexico’s pageant director to sabotage promotional activities. He allegedly called her a “dumbhead” — a claim he later denied, saying he meant she caused “damage.”

When Bosch tried to respond, Nawat interrupted her and said, “I didn’t give you the opportunity to talk.” He then ordered security to escort her out of the room. Several contestants stood in solidarity with Bosch and walked out, prompting Nawat to threaten disqualification if they didn’t return to their seats.

Contestant’s Response and Public Support

Bosch, 25, later told reporters that she felt insulted and unfairly treated. She suggested the confrontation came from tension between Nawat and the Miss Universe Organization, whose president is also Mexican.

“I’m here to represent my country and give my best,” Bosch said in a TikTok video. “He told me to ‘shut up’ and said many things that were disrespectful. The world needs to see this because women are empowered, and no one can silence our voices.”

Her statement drew widespread support. The president of the Miss Universe Organization, Raúl Rocha, condemned Nawat’s actions and barred him from further participation in official events. Rocha said the Thai official humiliated Bosch and tried to intimidate her.

“I have restricted Nawat’s involvement in all Miss Universe activities,” Rocha said. “No one has the right to silence or exclude a contestant.”

Nawat later apologized during a live ceremony, saying, “I have to say I’m very sorry. I didn’t mean to hurt anyone.”

Mexico’s President Weighs In

The controversy reached Mexico’s highest office. President Claudia Sheinbaum praised Bosch’s courage during a national press briefing, calling her response “an example of how women must raise their voices.”

Sheinbaum recalled a familiar Mexican phrase, “Calladita te ves más bonita” — “You look more beautiful when you’re silent.” She rejected the saying, proposing a new message:
“Women look more beautiful when we raise our voices and participate. This is about recognizing our rights. I admire this young woman,” she said.

Pageant Industry Faces Renewed Criticism

The incident reignited long-standing criticism of beauty pageants and their treatment of women. Catalina Ruiz Navarro, a Colombian feminist journalist based in Mexico City, told CNN that contests like Miss Universe still reflect patriarchal values.

“The Miss Universe pageant disciplines and monitors women’s bodies,” Ruiz Navarro said. “Bosch’s response was courageous because she risked her standing. The fact that other contestants joined her shows collective strength.”

Sheynnis Palacios, Miss Universe 2023 from Nicaragua, also spoke out. She said on social media that “a crown should not cost a woman her dignity.” Pageants, she added, should empower women, not humiliate them.

Alicia Machado, the 1996 Miss Universe from Venezuela, shared similar memories. “I faced the same issues years ago,” she said. “These competitions must evolve and support gender equality, not outdated practices.”

Calls for Change in Beauty Pageants

Activists say this incident could push the industry toward reform. Ruiz Navarro believes Bosch’s stand may limit such abuse, but she argues change must go deeper.

“As long as pageants exist, they must be fairer and more inclusive,” she said. “Every woman deserves dignity and respect.”

This year’s Miss Universe competition began in Bangkok on Sunday, with contestants from 130 countries. The finale is set for November 21, where the new titleholder will be crowned.

Source: CNN – ‘No one can shut our voice’: Miss Universe Mexico confronts mistreatment

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Celebrity Spotlight: Jodie Turner-Smith and Zendaya

At a recent Victoria’s Secret after-party in New York, actress Jodie Turner-Smith showcased a black, white, and red military jacket, pairing it with relaxed light-wash jeans and a white vest. Her Hussar coat, sourced from Georgian brand Keburia, highlights the current interest in Napoleonic-inspired outerwear.

Meanwhile, Paris Fashion Week offered additional glimpses of the trend. Zendaya attended the Louis Vuitton show in a metallic, fur-trimmed coat with Rococo elements, reflecting inspiration drawn from French royal style. The following day, Jenna Ortega wore a gothic black sleeveless Hussar vest at Dior, featuring gold-thread frog fastenings, aviator sunglasses, bleached brows, and a denim mini-skirt, merging military motifs with contemporary fashion sensibilities.

Historical Origins of the Hussar Jacket

Military jackets, also referred to as Hussar jackets or Pelisses, originated in 18th-century European cavalry uniforms. Characterized by ornate braiding, metallic buttons, and toggles across the chest, these garments were initially designed for ceremonial and functional purposes in military regiments.

The Hussar jacket has long fascinated designers and musicians for its aesthetic versatility. Jimi Hendrix, who briefly enlisted in the U.S. Army in the 1960s, famously incorporated Pelisses into his personal style. Hendrix often wore them unbuttoned, sometimes shirtless, paired with scarves and jewelry, transforming rigid uniforms into symbols of individual expression.

Luxury Brands and Subversive Fashion

Hendrix’s reinterpretation influenced high-fashion designers in subsequent decades. Luxury houses including Saint Laurent, Balmain, Gucci, and Marc Jacobs have all presented variations of Hussar jackets. In 2002, Marc Jacobs showcased cream wool Hussar jackets adorned with gold stitching, styled with paisley blouses that echoed Hendrix’s playful and bohemian aesthetic.

The Beatles further popularized the style with their 1967 Sgt. Pepper’s Lonely Hearts Club Band album cover, wearing decorated military coats as a statement of anti-establishment sentiment and peace. The visual impact combined the ornate tradition of military dress with contemporary music culture, cementing the jacket’s symbolic versatility.

Pop Culture Endorsements and Mainstream Adoption

Over time, Hussar jackets became a go-to look for performers. Michael Jackson, Beyoncé, and Rihanna have donned military-style coats, alongside bands such as The Libertines and My Chemical Romance. The trend entered mainstream fashion when Kate Moss wore an ivory Hussar jacket to the 2005 Glastonbury music festival, aligning high fashion with music festival culture.

Today, designers continue to reimagine the style. Jonathan Anderson featured military jackets in his debut menswear collection for Dior, while collections from Alexander McQueen, Vaquera, and Ann Demeulemeester reinforce the jacket’s prominence on global catwalks.

Modern Appeal and Digital Influence

The resurgence of Hussar jackets is supported by online trends. According to Molly Rooyakkers, founder of the data-driven fashion Instagram account @styleanalytics, global searches for “Hussar jacket” increased by 300% in October compared to the previous month. This digital traction reflects both celebrity influence and consumer interest in heritage-inspired outerwear.

Fashion commentators note that the modern appeal of the Hussar jacket lies in its ability to balance historical grandeur with street-level versatility. Whether styled with jeans, skirts, or layered with contemporary outerwear, the jacket continues to symbolize rebellion, individuality, and creative expression.

Why Military Jackets Endure

Military-inspired outerwear offers designers and consumers a unique canvas to reinterpret history. The intricate detailing, structured silhouette, and bold aesthetic make Hussar jackets versatile for both formal and casual settings. Beyond their visual impact, these garments carry cultural narratives of power, artistry, and rebellion, appealing to those seeking statement pieces with heritage significance.

As fashion cycles revisit historical motifs, Hussar jackets exemplify the intersection of past and present. Their recurring popularity underscores a broader trend in fashion: leveraging historical designs to create modern identity and cultural commentary.

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Source: CNN – Look of the Week: From Jimi Hendrix to Jodie Turner-Smith, why fashion loves a military jacket

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WNBA forward Angel Reese has become the first professional athlete to walk the Victoria’s Secret Fashion Show runway, marking a historic moment for both sports and fashion. The 23-year-old Chicago Sky player joined models including Bella and Gigi Hadid, Adriana Lima, and a diverse cast of transgender, pregnant, and plus-size models — underscoring the lingerie label’s ongoing transformation from its once-narrow beauty ideals to a more inclusive image.

A milestone moment for sports and fashion

The event, live-streamed globally on Wednesday, symbolized the revival of a show that once defined glamour in the 1990s and early 2000s. After a six-year hiatus, Victoria’s Secret returned with a fresh emphasis on diversity and empowerment.

Backstage, Reese told CNN that the experience felt like the realization of a dream she had publicly shared. “I posted on my Instagram Story last year, when I was in the front row, that I’d be a Victoria’s Secret model one day,” she said. “I didn’t know it was going to come this fast.”

A brand redefining beauty standards

Once a cultural juggernaut, the Victoria’s Secret Fashion Show lost relevance amid criticism that it promoted unrealistic body images. Viewership dropped from 9.7 million in 2013 to just 3.3 million in 2018 before the show was canceled in 2019.

This year’s runway, however, featured a strikingly different tone. It opened with nine-month-pregnant model Jasmine Tookes, who appeared in a gold macrame gown inspired by Botticelli’s Birth of Venus. Plus-size icons Paloma Elsesser, Ashley Graham, and Yumi Nu also took part, alongside Alex Consani and Valentina Sampaio — two trans women who made history at last year’s revival event. Olympic gymnast Sunisa Lee performed during a “halftime” show segment for the youth-focused sub-brand Pink.

Angel Reese and the new face of inclusivity

“Everybody looks different, but they’re all beautiful,” Reese said while preparing backstage. “That’s the inclusivity of being a Victoria’s Secret model — knowing you can look beautiful in any shape, size, or color.”

Reese’s participation came after conversations with Victoria’s Secret CEO Hillary Super, who reportedly encouraged the athlete to join the reimagined runway. “She told me, ‘You can be here. You’re an athlete, you have the body, you’re confident — you belong,’” Reese shared.

Victoria’s Secret’s long road to reinvention

Under Super’s leadership, Victoria’s Secret has sought to recover from years of declining sales and criticism. Annual revenue grew 1% to $6.23 billion last year — modest progress after a decade of financial turbulence that saw store closures and intense competition from comfort-oriented brands like Savage X Fenty and Aerie.

In 2015, Victoria’s Secret generated nearly two-thirds of parent company L Brands’ revenue, then valued at $28 billion. By 2020, the company had gone private in a deal valuing it at just $1.1 billion. The turnaround effort has since included new partnerships, celebrity collaborations, and a shift toward advocacy-driven marketing.

The VS Collective and a cultural reset

Ahead of its 2024 comeback show, the company launched the “VS Collective” — a campaign fronted by athletes, activists, and influencers promoting empowerment and inclusivity. Among the ambassadors are soccer star Megan Rapinoe and Olympic gold medalist Eileen Gu.

Reese, however, remains the only athlete to walk the actual runway — a fact she says makes her role even more meaningful. “A lot of young women will be watching me today,” she said. “I want them to see that they can be strong, confident, and dream this big.”

A blend of tradition and transformation

The show still nodded to its glamorous past, featuring veteran “Angels” like Adriana Lima and Alessandra Ambrosio alongside modern figures like former Euphoria actor Barbie Ferreira and YouTuber Quenlin Blackwell. Musical performances from Missy Elliott and Karol G added star power to a night celebrating empowerment and sensuality.

“I’m not going to shy away from looking like this because I work hard for my body,” Reese said. “Being sexy is something I embrace — it’s a part of who I am.”

Victoria’s Secret’s evolving identity reflects broader shifts across the fashion world, where inclusivity and authenticity increasingly define success. For Reese, her groundbreaking appearance represents not just a personal milestone, but also a signal that the definition of beauty is finally expanding.

Source: CNN – Angel Reese becomes first pro athlete to star in Victoria’s Secret Fashion Show

The post Angel Reese Makes History as First Pro Athlete in Victoria’s Secret Fashion Show appeared first on Journos News - Breaking News, World News, Top Stories, Todays Headlines and Flash Reports.

Published: September 28, 2025, 21:15 EDT

Ferragamo creative director Maximilian Davis returned to a familiar stage at Milan Fashion Week with a collection that balanced vintage elegance and modern energy. Presented in the courtyard of the brand’s Portrait Hotel—where Davis debuted three years ago—the show spotlighted bold accessories, seductive silhouettes, and nods to 1920s fashion.

Chartreuse Pops in a Refined Palette

The standout feature of the collection was a series of chartreuse bags and shoes, which contrasted with the darker tones of the garments. Mini pouches, clutches, and sculptural-heeled mules added vibrant accents, bringing a contemporary edge to the otherwise vintage-inspired looks.

The accessories served as both functional and aesthetic highlights, punctuating the runway with bold color choices that emphasized Ferragamo’s continued experimentation under Davis’ direction.

A Modern Take on the 1920s

Davis’ collection drew heavily from the 1920s era of flappers and speakeasies, blending slinky women’s eveningwear with structured menswear. Sheer chiffon dresses and form-fitting knits provided a daring touch, while men’s long jackets and broad-shouldered suits evoked the glamour of the Jazz Age.

Scarves tied around the lower backs of suits introduced a subtle sensuality, mirrored in similar styling for women’s dresses. A liberal use of fringe further reinforced the collection’s nostalgic references.

Balancing Elegance and Utility

Although rooted in vintage inspiration, the collection acknowledged practical needs. Vinyl overcoats offered protection against the light rain that threatened the outdoor show, while lightweight knits and silks maintained fluidity and movement.

The interplay of structure and softness gave the collection versatility, allowing pieces to function both as statement fashion and wearable design.

Footwear and Finishing Touches

Ferragamo’s footwear featured pointed mules with reverse sculptural heels, reinforcing the house’s reputation for innovative shoe design. The unusual geometry added an architectural element to otherwise fluid silhouettes.

Accessories—including the now-signature clutches and mini pouches—were deliberately scaled to enhance the lines of each look, with chartreuse emerging as the season’s defining color accent.

Front-Row Guests and Reception

Among those attending the show were Christy Turlington and Naomi Watts, underscoring Ferragamo’s continued draw for both fashion insiders and cultural icons. The collection was met with strong interest from critics and buyers, who noted Davis’ ability to merge archival references with contemporary relevance.

As Ferragamo continues to reshape its identity under Davis, this Milan presentation reinforced the brand’s commitment to heritage-driven innovation.

Outlook: Ferragamo’s Evolving Aesthetic

This latest co-ed showcase reflected Davis’ ongoing effort to balance Ferragamo’s craftsmanship legacy with fresh, modern perspectives. By combining Jazz Age inspiration with present-day tailoring and bold accessories, the brand signaled confidence in both its history and its future direction.

With Milan Fashion Week spotlighting diverse interpretations of heritage, Ferragamo’s embrace of 1920s motifs—and its use of chartreuse as a defining shade—placed it among the standout presentations of the season.

Source: AP News – Ferragamo’s chartreuse bags and shoes pop against 1920s- inspired co-ed collection

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Published: September-23-2025, 15:00 EDT

Pamela Anderson, best known for her iconic roles in the 1990s, has become an unexpected figurehead of a new beauty movement: embracing a makeup-free lifestyle. At 58, Anderson regularly attends fashion shows and film premieres with a bare face, signaling a shift in how aging and beauty are being defined in the public eye.

Her choice is not about rejecting cosmetics entirely but about reclaiming freedom from societal expectations. “I’m not trying to be the prettiest girl in the room,” she told Vogue before Paris Fashion Week. “I feel like it’s just freedom. It’s like a relief.”

A Growing Celebrity Influence

Anderson is not alone in her decision. Singers such as Alicia Keys and other celebrities have also appeared makeup-free in public, encouraging women to embrace their natural looks. This trend resonates particularly with older women questioning whether makeup is a tool for empowerment or an outdated obligation.

Style experts note that celebrity influence often shapes broader cultural norms. By stepping onto high-profile stages without makeup, Anderson and others are helping normalize the choice, giving women permission to define beauty on their own terms.

Challenges in the Workplace

Despite growing acceptance, going makeup-free is not always easy for professional women. Deborah Borg, chief of human resources at a large creative company, noted that many employees still feel pressure to look “polished” at work.

Since the COVID-19 pandemic, Borg has observed more women entering offices without makeup, reflecting broader changes in workplace culture. She herself gave up makeup four years ago, keeping only an occasional swipe of bold lipstick. For her, the shift not only saved time but also created a sense of authenticity.

Skincare First: Preparing for a Natural Look

Makeup artists stress that a successful no-makeup lifestyle begins with skincare. Rebecca Robles, a professional artist, recommends a five-step regimen for mature skin:

1. A gentle cleanser to protect the skin barrier.

2. Vitamin C serum to brighten and minimize fine lines.

3. Moisturizer with SPF to hydrate and protect.

4. Broad-spectrum sunscreen for added coverage, even on ears.

5. Glossy lip balm for a polished finish.

Robles also advises small touches like curling lashes and brushing brows into place. Hydrated, well-cared-for skin reflects light naturally, softening fine lines and enhancing overall radiance.

Fashion as a Beauty Companion

Personal stylist Natalie Tincher emphasizes that clothes and accessories play an important role in projecting confidence without makeup. She encourages clients to embrace color, which acts as a “filter” for the face, and to consider fabric textures that affect how light reflects on skin.

Accessories, from bold earrings to lapel pins, can provide a finished look. “Think of your outfit as the big picture,” Tincher explained. “It’s your entire presence in a room, not just your face.”

Women Redefining Beauty in Daily Life

Beyond celebrities, everyday women are also stepping away from cosmetics. Colleen Gehoski Steinman, 59, shifted from public relations to sewing and let go of both hair dye and makeup during the pandemic. “This is who we really are, and you can be beautiful just as you are,” she said.

In South Carolina, 57-year-old Cate Chapman abandoned makeup decades ago. For her, cosmetics felt costly and restrictive. “It isn’t fair. It feels expected, and it’s not right,” she said, though she still uses mascara on special occasions.

These personal stories underscore the variety of reasons women move away from makeup — from saving money and time to reclaiming autonomy and rejecting outdated norms.

Conclusion

Pamela Anderson’s makeup-free approach reflects a growing cultural conversation about beauty, age, and authenticity. While challenges remain, particularly in professional settings, both celebrities and everyday women are proving that natural beauty can be a powerful form of self-expression.

For many, the decision is less about rejecting makeup entirely and more about embracing choice — a freedom that signals a broader shift in how society views women and aging.

Source: AP News –Pamela Anderson leads the way for women who choose to go makeup free

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